Créditos
- Artwork, Design
- Ted Lethborg
- Bass Guitar, Backing Vocals
- Ted Lethborg
- Design [Finessed By]
- Dave Macken
- Drums, Percussion, Backing Vocals
- Brett Wolfenden
- Electric Guitar, Acoustic Guitar, Stylophone, Backing Vocals
- Davey Lane
- Engineer, Mixed By
- Finn Keane
- Liner Notes
- Jim Keays, Ted Lethborg
- Maracas
- Craig Harnath
Empresas
- Manufactured By
- Shock Entertainment
- Distributed By
- Shock Entertainment
- Phonographic Copyright (p)
- KeaySongs
- Copyright (c)
- KeaySongs
- Recorded At
- Hothouse Audio
- Mixed At
- Hothouse Audio
- Mastered At
- The Mastering Lab, Melbourne
Notas da edição
℗ & © 2012 KeaySongs
Manufactured and Distributed in Australia by
Thank you: Dave Laing, Frank Brunetti, Jean Pierre Jezequel and Adam Doherty for song suggestions.
Thank you David Williams, Michell Vreman and Dave Peacock at for your enthusiasm (and David for your cover art suggestions), Rory Twomey-Birks and Thomas Honeyman (Primed Pictures) for the awesome film-clip for 'Whiskey Woman', Sean Dennis for use of his big rig, Dan Mansfield for his organ and Norman for the Chocolate Soup.
Special Thanks to Davey, Wolfie, Karin, Finn, Craig, Dave Macken and Gil Matthews.........Ted Lethborg
From Jim Keays: Now they call it "Garage Punk". At the time (around '65, '66, '67) we just called it Rock & Roll, sometimes R&B (Rhythm & Blues). Bands of the era found old blues records and fashioned their versions of them with renewed vigour and enthusiasm. Brash interpretations full of naïve playing but strong on beat and melody and wild on delivery. Some wrote their own songs based on these principals. I loved those times of unbridled exuberance.
With this album I've tried to capture all this. Not absolutely accurately but just trying to recreate some of the feelings I experienced doing it. Sure, recording techniques and advances in production quality have come into the equation now, and a couple of tracks don't necessarily fall into the above category, but the overall aim was to go back to the methods of creating it to a certain extent. At first I wanted to stick very closely to the genre, but once the recording process began, I came to realise that this was neither practical nor totally necessary, so I began to let the album take its natural course and found that it took on its own unique identity.......Jim Keays
Released in a Jewel Case with clear CD Tray and 8 page booklet
Notas publicadas na Discogs, no idioma original