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  3. chevron_rightGrow Fins: Rarities (1965-1982)
  4. chevron_rightGrow Fins: Rarities (1965-1982)
album

Captain Beefheart & The Magic Band

Grow Fins: Rarities (1965-1982)

CD · 1999

Discos · Grow Fins: Rarities (1965-1982)

Grow Fins: Rarities (1965-1982)

Edição de disco
Artista
Captain Beefheart & The Magic Band
Ano
1999
País
Estados Unidos
Selo
Revenant
Catálogo
Revenant 210
Formato
CD × 6
Gêneros
Blues
Estilos
Blues Rock, Avantgarde
Lançado em
22/06/1999

Faixas

  1. 1-1Obeah Man (1966 Demo)2:47
  2. 1-2Just Got Back From The City (1966 Demo)1:53
  3. 1-3I'm Glad (1966 Demo)3:44
  4. 1-4Triple Combination (1966 Demo)2:48
  5. 1-5Here I Am I Always Am (Early 1966 Demo)3:15
  6. 1-6Here I Am I Always Am (Later 1966 Demo)2:32
  7. 1-7Somebody In My Home (1966 Live)3:03
  8. 1-8Tupelo (1966 Live)4:15
  9. 1-9Evil Is Going On (1966 Live)2:33
  10. 1-10Old Folks Boogie (1967 Live)3:15
  11. 1-11Call On Me (1965 Demo)3:04
  12. 1-12Sure Nuff N Yes I Do (1967 Demo)2:11

Créditos

Art Direction
Jeff Hunt
Bass
Jerry Handley, Mark Boston
Bass Clarinet
Victor Hayden
Design, Layout
Susan Archie
Drums
Alex St. Clair Snouffer, Art Tripp, John French, Paul Blakeley
Edited By [Final CD Editing], Mastered By
David Glasser
Guitar
Alex St. Clair Snouffer, Bill Harkleroad, Doug Moon, Elliot Ingber, Jeff Cotton, Rich Hepner
Harmonica
Don Van Vliet

Empresas

Phonographic Copyright (p)
Revenant
Copyright (c)
Revenant, Don Van Vliet, Chester Burnett, John Lee Hooker
Mastered At
Airshow Mastering, Boulder, CO
Remixed At
Bill Schnee Studios
Pressed By
Allied DT
Recorded At
Original Sound Studio, Wally Heider Studios, Gold Star Studios, T.T.G. Studios, The Magic Band House, Beacon Theatre, New York, Actuel Festival, Belgium, Bickershaw Festival, Le Bataclan, The Paradise, Boston, The Venue, London, Avalon Ballroom, MIDEM Music Festival, Frank Freeman's Dance Studio, Town Hall, New York, Stanhope House, Radio KWST, WBCN FM Boston, Tubeworks WABX

Notas da edição

This box set consists of heavy card photo-laminated outer box, containing heavy card photo-laminated wallet book that has a 112-page booklet & 5 CDs (in 5 natural card jackets) bound into the wallet spine. Booklet contains interviews, essays and rare photos, as well as track info. Disc 4 is a partially-enhanced CD [Macromedia / Quicktime] containing tracks of live footage from 1968-72 performances. Tracks 1-1 to 1-3 recorded at Original Sound, Hollywood, C.A. Track 1-4 recorded at Vliet's mother's house, Carolside, Lancaster, CA. (One channel uses an 'Electrovoice 664' microphone for Vliet). Tracks 1-5, 1-6, recorded at Wally Heider Studios, Hollywood, CA. Tracks 1-7 to 1-10 recorded live at Avalon Ballroom, San Francisco, CA. (Aug/Sep '67). Track 1-11 recorded at Gold Star Studios, Los Angeles, CA. Tracks 1-12 to 1-14 recorded at Original Sound Studios, Los Angeles, CA. Tracks 2-1, 2-2 recorded live at MIDEM Pop Festival, Cannes beach, France. Tracks 2-3 to 2-6 recorded live at Frank Freeman's Dance Studio, Kidderminster, UK. Track 2-7 recorded at T.T.G Studios, Los Angeles, CA. Tracks 3-1 to 4-4 recorded at the Magic Band house, Ensenada Drive, Woodhills, CA. (3-2 voices are Amway delivery driver & his wife. 3-3 - 3-4 are outtakes and NOT the identically titled tracks on TMR. This is true of other similarly titled tracks to TMR on CD3- all outtakes) Track 4-2 is reference to Herb Alpert (A&M), not Herb Bermann. Track 5-1 recorded live at Amougies, Belgium 1969. Tracks 5-2 to 5-4 recorded live at Detroit Tubeworks. (Jan 1971). Tracks 5-5 and 5-13 recorded live via phone-in radio KHSU, CA. Tracks 5-6 and 5-8 recorded live at Bickershaw Festival, Lancashire, UK. Tracks 5-7, 5-9, 5-11 and 5-12 recorded live at radio WBCN, Boston, MA. Track 5-10 recorded live at Town Hall, NYC. Track 5-14 recorded live at Bataclan, Paris. Track 5-15 recorded live at radio KWST. Track 5-18 recorded live at The Venue, London, UK. Track 5-19 recorded live at Paradise, Boston, MA. Track 5-21 recorded at home, NYC. Track 5-22 recorded live at Stanhope, NJ. (1980). Track 5-23 recorded live at Beacon Theater, NYC. (1980). Track 1-5 voice references to "her" & "she" being Dorothy Heard - relating to the demo gaining an A&M signing for the band via Heard and Grant. Track 1-8 also known as "Tupelo, Mississippi". ©Hooker Track 1-9 Credited incorrectly in booklet to Chester Burnett (Howlin' Wolf), who recorded it. It was written for him by Willie Dixon. Also known as "Evil (Is Going On)". ©Burnett (Evil Is Going On; Natchez Burning; Somebody In My Home) Track 2-3 is a traditional blues song, recently attributable to McKinley Morganfield in its most popular form. Tracks 5-5 & 5-7 is a traditional blues song, most recently attributable to Blind Lemon Jefferson in its most popular form. Art Direction at "world of anArchie, Atlanta, Georgia" Audio at "Gravelvoice, Seattle, Wshington". Mastering at "Airshow Mastering, Boulder, Colorado" Remastering at "Bill Schnee Studios, California" ℗©1999 John Fahey's 'Revenant' Under license from various owners.

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Ficha

Álbum
Grow Fins: Rarities (1965-1982)
Coleção
Discos

Perguntas frequentes

De qual álbum é a edição de disco Grow Fins: Rarities (1965-1982)?
Grow Fins: Rarities (1965-1982) é a edição de disco do álbum Grow Fins: Rarities (1965-1982) (Discos).
Quais são as faixas da edição de disco Grow Fins: Rarities (1965-1982)?
Grow Fins: Rarities (1965-1982) tem 90 faixas: Obeah Man (1966 Demo), Just Got Back From The City (1966 Demo), I'm Glad (1966 Demo), Triple Combination (1966 Demo), Here I Am I Always Am (Early 1966 Demo) e outras.