Keyboard

Faixas

1. A1Hines Discusses His Beginings In Music.9:48
2. A2Philippe Entremont Discusses Why He Feels Piano Is The Most Attractive Of All Instruments.9:05
3. A3Hancock Is A Pianist And Composer, He Discusses Piano Improvisation.4:22
4. B1André Watts's Advice To Young Musicians: "Make Violently Strong Attemps Not To Lie To Your Self". Practice.7:28
5. B2Merl Saunders Gives An Explanation Of The Electric Organ And Demonstrate Use Of Draw Bars And Overtones.7:37
6. B3Fabrizio: "A Harpsichord Can Do A Lot Of Things Besides Not Be A Piano". Describes The Ornate Decoration Of Her Harpsichord.7:27
7. C1Shearing Tells Of His Classical Training By Braille. "I Say To All Young People, Continue Your Study Of Music In As Well Rounded A Manner As Possible".8:12
8. C2Samuel Swartz: "The Organ Fascinated Me Because There Were More Keyboards And There Were More Buttons To Push Than A Piano.8:01
9. C3Interviewer Grover Sales: "It's Amazing How The Generation Of Young Americans Are Going Back And Listening To Older Forms Of Music Without Realizing It".7:11
10. D1Interviewer Asks Paul Badura-Skoda To Demonstrate The Different Period In Music, Melody, Dynamic Contract.9:39
11. D2Piano Improvisation: "I Was Hungrier And Hungrier To Get Into Some New Sounds". He Describes Free Music.11:44

Créditos

Artwork

Charles Berry, Maya Cain

Engineer

John Vieira, Phil Edwards, Phill Sawyer, Vance Frost

Interviewer

Art Twain, Bill Shechner, Carmen Dragon, Charles Shere, Christopher Brooks, Dick Conte, Grover Sales Jr., Marjorie Leet, Victoria

Photography By

Jack Lind, Joshua Freiwald, Margo Moore

Producer

Edward Franklin

Voice [Commentary By]

Grover Sales Jr.

Empresas

Copyright (c)

Chevron Research Company

Pressed By

Wakefield Manufacturing

Notas da edição

Notas publicadas na Discogs, no idioma original