Modern Rock 1984-1985

Issued with a 16-page booklet & no barcode Printed on back cover inlay: Manufactured for Time-Life Music by Universal Music Special Markets, Inc. This compilation ℗ 1999 Universal Music Special Markets, Inc. Printed in U.S.A. Printed in booklet: Time Life Music: Modern Rock 1984-1985: Produced in cooperation with Universal Music Special Markets, Inc. The Author: Arion Berger is a freelance arts writer. Her work has appeared in numerous magazines and newspapers, including "Rolling Stone", the "Village Voice" and "The New Republic". Shec is an adjunct professor of English at Georgetown University. Time-Life Music is a division of Time Life Inc. © 1999 Time Life Inc. Printed in U.S.A. Time-Life is trademark of Time Warner Inc. and affiliated companies. Manufactured for Time-Life Music by Universal Music Special Markets, Inc. This compilation ℗ 1999 Universal Music Special Markets, Inc. 314564684-2 R828-03 Printed on both CDs: Manufactured for Time-Life Music by Universal Music Special Markets, Inc. ℗ 1999 Universal Music Special Markets, Inc. Made in U.S.A. Track durations obtained from software. Mastering information: Track 1-1 is a digital clone (0.1 dB quieter) of the corresponding track on (Time-Life R988-02, 1994), which in turn uses the same analog transfer (basically, it tracks extremely closely without being a digital clone) as the corresponding track on (Razor & Tie/Warner Special Products OPCD-4544, 1994). Track 1-2 is a digital clone (1.9 dB louder) of the corresponding track on (RCA 8045, 1985). Track 1-3 has an unknown mastering history. Track 1-4 is a digital clone (with EQ adjustment) of the corresponding track on (Rhino R2 70679, 1992). Track 1-5 is a digital clone (0.1 dB quieter) of the corresponding track on (Arista 8542, 1988). Track 1-6 is a digital clone (digitally identical) of the corresponding track on (Elektra 60464, 1985). Track 1-7 is a digital clone (with EQ adjustment) of the corresponding track on (A&M 5092, 1985). Track 1-8 is a digital clone (with EQ adjustment) of the corresponding track on (Rhino R2 71977, 1995). Track 1-9 is a digital clone (with EQ adjustment) of the corresponding track on (Elektra 60390, 1985). Track 1-10 has an unknown mastering history. Track 1-11 has an unknown mastering history. Track 1-12 is a digital clone (with EQ adjustment) of the corresponding track on (Polydor 837 896-2, 1989). Track 2-1 is a digital clone (0.9 dB louder) of the corresponding track on (Time-Life R988-17, 1996), which in turn is a digital clone (with EQ adjustment) of the corresponding track on (Rhino Special Products 7074, 1994). Track 2-2 is a digital clone (2.3 dB quieter) of the corresponding track on (US version, Arista 8680, 1991). Track 2-3 has an unknown mastering history. Track 2-4 is a digital clone (0.4 dB louder) of the corresponding track on (The Right Stuff, 1993). Track 2-5 is a digital clone (1.4 dB louder) of the corresponding track on (Mercury 842 967-2, 1990). Track 2-6 is a digital clone (0.6 dB quieter) of the corresponding track on (EMI 28339, 1994). Track 2-7 is a digital clone (0.4 dB louder) of the corresponding track on (EMI 94974, 1992). The opening drumbeat is partially cut off on this disc and on The Singles. Track 2-8 is a digital clone (0.4 dB louder) of the corresponding track on (Time-Life R988-02, 1994), which in turn uses the same analog transfer as the corresponding track on (Epic 39458, 1985). Track 2-9 is a digital clone (0.4 dB louder) of the corresponding track on (Time-Life R988-02, 1994), which in turn uses the same analog transfer as the corresponding track on (Razor & Tie/Warner Special Products OPCD-4544, 1994). Track 2-10 is a digital clone (with EQ adjustment) of the corresponding track on (MCA 42316, 1989). Track 2-11 is a digital clone (with EQ adjustment) of the corresponding track on (The Right Stuff, 1994). Track 2-12 is a digital clone (with EQ adjustment) of the corresponding track on (EMI 32694, 1995). (Confirmed in null tests performed by user crapfromthepast, July 2021.)