Modern Rock Dance

The "DIDP-098174 # A0#" portion of the matrix information is mirrored on all variants. Made in U.S.A. Track 1-8 is listed as "Tainted Love/Where Did Our Love Go" on the back cover/inner tray and inner booklet, but the actual track is only the single version of "Tainted Love" as evidenced by the track length. It is NOT the extended 12" version medley which runs close to 9 minutes. Track durations obtained from software. Mastering information: Track 1-1 is a digital clone (with EQ adjustment) of the corresponding track on (Rhino R2 70675, 1992). Track 1-2 is a digital clone (with EQ adjustment) of the corresponding track on (Epic 47043, 1990). Track 1-3 is a digital clone (with EQ adjustment) of the corresponding track on (Big Ear Music, 1995). Track 1-4 is a digital clone (with EQ adjustment) of the corresponding track on (Rhino R2 70678, 1992). Track 1-5 is a digital clone (with EQ adjustment) of the corresponding track on (Razor & Tie/Warner Special Products OPCD-4544, 1993). Track 1-6 is a digital clone (with EQ adjustment) of the corresponding track on (Priority P2 53684, 1993). Track 1-7 is a digital clone (with EQ adjustment) of the corresponding track on (Time-Life R988-25, 1995), which in turn uses the same analog transfer (basically, it tracks extremely closely without being a digital clone) as the corresponding track on (I.R.S. 44797 0059 2, 1990). Track 1-8 is a digital clone (with EQ adjustment) of the corresponding track on (Rhino R2 71697, 1994). Track 1-9 is a digital clone (with EQ adjustment) of the corresponding track on (10 Best Series, 1998). Track 1-10 is a digital clone (with EQ adjustment) of the corresponding track on (Rhino R2 71699, 1994). Track 1-11 is a digital clone (digitally identical) of the corresponding track on (MCA Special Products MCAD-20897, 1996). Track 1-12 is a digital clone (with EQ adjustment) of the corresponding track on (Priority P2 53684, 1993). Track 2-1 is a digital clone (with EQ adjustment) of the corresponding track on (Risky Business AK 57468, 1994). Track 2-2 is a digital clone (0.5 dB quieter until 3:04, 2.5 dB quieter after 3:04) of the corresponding track on (Razor and Tie/Warner Special Products OPCD-4560, 1995). Track 2-4 is a digital clone (3 dB quieter) of the corresponding track on (Rhino R2 70679, 1992). Track 2-4 is a digital clone (1 dB louder) of the corresponding track on (Portrait 38930, 1983). Track 2-5 is a digital clone (1.6 dB louder) of the corresponding track on (Warner Special Products OPCD-4515, 1988). Track 2-6 has an unknown mastering history. Track 2-7 is a digital clone (1.5 dB quieter) of the corresponding track on (Geffen 24187, 1988). Track 2-8 is a digital clone (2 dB quieter) of the corresponding track on (EMI 28339, 1994). Track 2-9 is a digital clone (3.5 dB quieter) of the corresponding track on (Priority P2 53684, 1993), which in turn uses the same analog transfer as the corresponding track on (Mercury 824 300-2, 1985). This disc, the Priority disc, and the original pressing of Songs From The Big Chair all have their left and right channels swapped. Track 2-10 is a digital clone (digitally identical) of the corresponding track on (JCI/Warner Special Products, 1996) and is a digital clone (with EQ adjustment) of the corresponding track on (Risky Business AK 57468, 1994). Track 2-11 is a digital clone (2 dB quieter) of the corresponding track on (Priority P2 53721, 1993). Track 2-12 is a digital clone (0.4 dB quieter) of the corresponding track on (Time-Life R105-40, 1993). Although Rock Dreams is missing the first 0.25 seconds of the song's intro, this disc (somehow) has the full intro intact. (Confirmed in null tests performed by user crapfromthepast, July 2021.)