Empresas
Copyright (c) United Artists Music And Records Group, Inc.
Phonographic Copyright (p) United Artists Music And Records Group, Inc.
Manufactured By United Artists Music And Records Group, Inc.
Recorded At The Haig, Phil Turetsky's House
Published By Robbins Music Corp., Sam Fox Publishing Co., Inc., Warner Bros. Music, Criterion Music Corp., T.B. Harms Co., Beechwood Music Corp., Har-Bock Music Co., MCA Music, Mills Music, Inc. Notas da edição
—On sleeve—
Gatefold sleeve with liner notes in English.
Spine: BN-LA-532-H2 Gerry Mulligan/Lee Konitz Revelation Blue Note
Recording Data:
I Can't Believe That You're in Love with Me - Recorded at Phil Turetsky's house, Los Angeles, June 10, 1953
Sextet #1; Broadway; Almost Like Being in Love; Oh, Lady Be Good - Recorded Los Angeles, June, 1953
Too Marvelous for Words; Lover Man; I'll Remember April; These Foolish Things; All The Things You Are - Recorded at The Haig, Los Angeles, June 1953
Four and One Moore; Crazy Day; Turnstile; Sextet #II; Venus De Milo; Revelation; Disc Jockey Jump - Recorded New York City, December 4 and 5, 1957
inside gatefold, BN-LA-532-HS appears (note an 'S' instead of a '2' at the end)
© UAMARG, Inc.
©℗MCMLXXV United Artists Music And Records Group, Inc. / BN-LA532-H2
Manufactured by United Artists Music And Records Group, Inc.,
Los Angeles, California 90028/Printed in U.S.A.
All Tunes Mono
Tracklist info:
A1. Robbins Music Corp./ASCAP
Order of solos: Konitz/alto - Cohn/tenor - Sims/alto - Mulligan/baritone
A2. Sam Fox Pub. Co. Inc./ASCAP
A3. Warner Bros. Music/ASCAP
A4. Criterion Music Corp./ASCAP
Order of solos: Mulligan/baritone - Sims/alto - Eager/tenor - Konitz/alto - Cohn/tenor
B1. Criterion Music Corp./ASCAP
Order of solos: Mulligan/baritone - Sims/alto - Eager/tenor - Cohn/tenor - Konitz/alto
B2. T. B. Harms Co./ASCAP
B3. Beechwood Music Corp./BMI
B4. Har-Bock Music Co./BMI
C1. Beechwood Music Corp./BMI
Order of solos: Cohn/baritone - Sims/alto - Mulligan/baritone
C2. MCA Music/ASCAP
C3. Mills Music, Inc./ASCAP
C4. Criterion Music Corp./ASCAP
Order of solos: Mulligan/baritone - Eager/tenor - Konitz/alto - Cohn/baritone - Sims/alto. Sequence of eight bar exchanges by Mulligan, Eager, Konitz, Cohn, Sims, Mulligan, Eager, Konitz, Cohn, Sims, Mulligan, Eager. Sequence of four-bar exchanges by Konitz, Cohn, Sims, Mulligan, Eager, Konitz, Cohn, Sims, Milligan, Eager, Konitz, Cohn, Sims, Mulligan, with konitz playing the last eight bars out.
D1. Warner Bros. Music/ASCAP
D2. Rayven Music Co., Inc./BMI
D3. Har-Bock Music Co./BMI
D4. Bourne Co./ASCAP
D5. MCA Music/Pic Corp./ASCAP
—On center labels—
Mono
℗1975 United Artists Music And Records Group, Inc.
Manufactured by United Artists Music And Record Group, Inc. · Los Angeles, California · Made in U.S.A.
—Info from external sources—
A3, B2, C2, D4, D5: Recorded at The Haig, Los Angeles, Jan. 23, 1953, and originally issued on Pacific Jazz LP-2, WP-1273 & PJM-406
A2, B4, D2: Recorded Los Angeles, Jan. 30, 1953, and originally issued on Pacific Jazz LP-2, WP-1273 & PJM-406
C3, D1: Recorded at Phil Turetsky's house, Los Angeles, Feb. 1, 1953, and originally issued on Pacific Jazz LP-2, WP-1273 & PJM-406
A1, A4, B1, B3, C1, D1: Recorded at Coastal Studios, New York City, December 4 and 5, 1957, and originally issued on Pacific Jazz PJ-1237 & WP-1237.
Subsequent research indicates that the June 1953 dates given in the liner notes are incorrect.
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