Rubáiyát

Spine: Elektra's 40th Anniversary Back cover: For promotional use only. Not for sale. Elektra Entertainment, a division of Warner Communications Inc. [ logo] A Time Warner Company This compilation ℗ & © 1991 Elektra Entertainment, a division of Warner Communications Inc. Printed in U.S.A. CD face: For promotional use only. Not for sale. A Warner Communications Company [ logo] This compilation ℗ 1991 Elektra Entertainment, a division of Warner Communications Inc. Made in U.S.A. Inner panels: Elektra Entertainment, a division of Warner Communications Inc., [ logo] A Time Warner Company This compilation ℗ & © 1991 Elektra Entertainment, a division of Warner Communications Inc. Printed in U.S.A. - Track 1 Sources: Hello I Love You and the additional hits:,,Touch Me,,The End,,,, Five To One,,,, From (Elektra #60345) and "Hello I Love You" from Rubaiyat: Elektra's 40th Anniversary (Elektra #60940) - Track 2 Sources: "Net" from (1989, out of print). "Net" is a survey of portions of tracks from the Metallica And Justice For All (Elektra #60812), and the Metallica version of "Stone Cold Crazy" from Rubaiyat: Elektra's 40th Anniversary (Elektra #60940) - Track 3 Source: "Anonymous Proposition" from Tim Buckley (Elektra #74074) - Track 4 Sources: "You're So Vain" from Carly Simon (Elektra #75049) and Faster Pussycat "You're So Vain" from Rubaiyat: Elektra's 40th Anniversary (Elektra #60940) - Track 5 Source: various tracks from MC5 (Elektra #74042) - All sources have been faithfully transferred from commercially available compact discs and phonograph records, or from digital dubs of the stereo master tapes. No use has been made of multitrack source tapes, studio outtakes, or of any material that isn't or hasn't been made commercially available. - Thanks:,,,,,,, Valerie Vickers, Elektra Entertainment. Also,,,, Mendelson Joe and. - Rejektrix: Additional tracks were planned for potential inclusion in this package. Listeners may wish to try some of these recipes in the privacy of their own home entertainment systems: 1. A minute long abridgement, reduced to minimal redundancy, of Paul Butterfield's Born In Chicago slowed down from the equivalent of 45 RPM to 33⅓ RPM (an option no longer readily available to listeners in this age of CD's) resulting in a blacker sound of a more leisurely tempo; while at the same time the sense of the song rushes by. 2. Two mixes, both combining the and the Kronos String Quartet versions of, one of which sounds like Television with strings, while the other is more along the lines of Kronos with rock band. 3. Field recordings of singing I'd Like To Teach The World To Sing in various locales and situations including over the public address system at a game and for the mostly Japanese passersby at the Osaka World's Fair; on a blaster in an aviary and in a canyon; a passing version through a 600 watt automotive system. 4. A melismatic and choralzied tracking of singing using the stylistic models of ' (&) and 's. 5. Elimination of the snare drum from a few verses of 's These Days in preparation for grafting with the cover. This sort of simulations of a remix, in this case achieved by the precise editing of the beat, could be more easily effected if songs were released in multitrack, interactive versions. A 4, 6 or 8 track mix-programmable K7 or CD player would opportune multiple choices, for instance vocal-eliminated instrumental versions, extending the preferences a listener can apply using traditional balance and tone controls. 6. Suggested duets inspired by Rubaiyat: Elektra's 40th Anniversary: & & The two very similar versions of Seven & Seven Is by & and between The Womacks & Play them anyway you like!