Tokyo 1972

Edição de disco
Artista
Teletopa
Ano
2014
País
Austrália
Selo
Splitrec
Catálogo
23
Discogs
#5896346
Formato
Vinil × 3 · LP, Álbum
Gêneros
Eletrônica, Clássica
Estilos
Experimental
Lançado em
01/07/2014
  1. A1First Improvisation17:17
  2. B1First Improvisation15:46
  3. C1First Improvisation16:06
  4. D1Second Improvisation17:01
  5. E1Second Improvisation17:33
  6. F1Second Improvisation16:37
Alto Saxophone, Electronics
Roger Frampton
Artwork
Clare Cooper
Electronics
Peter Evans
Electronics, Flute
Geoffrey Collins
Electronics, Violin
David Ahern
Mastered By
Andrew McClennan, Philip Ullman
Remastered By
Jim Denley
Pressed By
Zenith Records
1 Phillip L Ryan, in Barry Lowe, ‘Interview with Teletopa’, in Music Now vol 2, no 1 (April 1972), p 21. 2 Ibid. 3 David Ahern, ‘Teletopa’, in Music Now vol 2, no 1 (April 1972), p 20. 4 Ryan, letter to Geoffrey Barnard, 25 October 2011. 5 Michael Nyman, Experimental Music: Cage and beyond (London: Studio Vista, 1974), p 109. 6 John Tilbury, Cornelius Cardew (1936-1981): a life unfinished (Matching Tye, UK: Copula, 2008), p 289, original emphasis. 7 Frank Harris, ‘“Mods” Took a Thrashing’, in The Daily Mirror, Wednesday, 17 February 1971, p 24. 8 Roger Frampton, ‘Teletopa, AZ Music, Free Kata and Free Improvised Music in Australia: an Autobiographical Perspective’, in Sounds Australian: Journal of Australian Music no 32 (Summer 1991-92), p 22. 9 See David Bromfield, Identities: A Critical Study of the Work of Mike Parr 1970-1990 (Nedlands WA: University of Western Australia Press, 1991), pp 8-9. 10 The term ‘post-object art’ is used here to encompass a diverse range of artistic activity, including conceptual art, process art, installations, mixed-media performance, indeterminate composition, free improvisation, concrete and sound poetry, etc. 11 Cornelius Cardew, ‘Towards an Ethic of Improvisation’, in Treatise Handbook (London, Frankfurt and New York: Edition Peters, 1971), p xvii, added emphasis. 12 David Ahern, ‘Notes on Expansion’, in Other Voices vol1, no 2 (August/September 1970), p 35. 13 The Australian improviser Jim Denley claims that, at the time, it was the loudest music he had experienced: see Jim Denley, ‘Networks, playfulness and collectivity: Improv in Australia, 1972-2007’, in Gail Priest (ed), Experimental Music: Audio Explorations in Australia (Sydney: UNSW Press, 2009), p 137. 14 Frampton, op cit, p 22. 15 Ernest Gallagher, ‘The State of the Art: Electronic Music Seminar’, in Music Maker (October 1971), p 28. 16 Ahern had studied with Stockhausen in 1968 at his International New Music Courses in Darmstadt (the Musik für ein Haus project) and Cologne New Music courses. 17 Frampton, op cit, p 23. Comes in triple gatefold sleeve with insert.

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De qual álbum é a edição de disco Tokyo 1972?
Tokyo 1972 é a edição de disco do álbum Tokyo 1972 (Discos).
Quais são as faixas da edição de disco Tokyo 1972?
Tokyo 1972 tem 6 faixas: First Improvisation, First Improvisation, First Improvisation, Second Improvisation, Second Improvisation e outras.